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A solo exhibition presenting the work of Kohei NAWA (1975-), who develops sculpture and spatial expressions utilizing the concept of the ‘Cell’. NAWA uses fluid matrials and media, such as beads, prisms, expanded polyurethane, silicone oil, etc., as metaphors for the senses and thoughts of the information society, creating equivocal expressions of the reality of the body, perception, and a sensitivity that wavers between digital and analog. In addition to his work in various categories, such as BEADS/PRISM/LIQUID/GLUE/SCUM/DRAWING etc., also he is active and recognized internationally, collaborating with people in the fields of music, fashion and product design, as well as producing public art in team project. This exhibition will explore the origins and boundaries of NAWA's synthetic interface; the interface which connects the senses and the material, our “skin”, while simultaneously pondering approaches to future work.
Highlights of the Exhibition
The First Major Exhibition at a Public Institute
While NAWA was studying sculpture at Kyoto City University of Arts he also spent some time at the Royal College of Art in the UK before receiving a PhD. for his doctoral dissertation on ‘Aesthetics and Surface Skin - a Methodology in Contemporary Sculpture’ in 2003. Even early in his university career he was active both at home and abroad, participating in numerous exhibitions and winning various awards. He is now recognized as one of the Japan’s leading young artists and we are delighted to be able to hold a long-awaited major exhibition of his work.
Presenting an Overview of his Various Categories of Work
This exhibition is the first to present a comprehensive view of all the various categories of work NAWA has produced to date.
BEADS: In this series stuffed animals, etc., which were purchased on the Internet, are covered with transparent beads to create what he describes as ‘PixCell’.
PRISM: The concept of a ‘Cell’ as a vessel of the image is expressed through the form of box covered in a prism sheet that splits the light, causing the object that should exist within it to appear as a virtual image according to the angle at which it is viewed.
LIQUID: Bubbles appear and vanish on the surface of white, fluorescent, silicone oil, expressing the countless ‘cells’ that are produced to stimulate sight and touch.
GLUE: A painting/sculpture, created on the wall using a glue gun that grows like ‘ivy’.
SCUM: A surface created of expanded polyurethane produces PixCell bubbles like ‘scum’, representing the blunted swelling of our senses.
OTHER WORKS: Among his other varied experiments presented here is ‘Dot-Movie’, a video-installation work in which spots of paint have been dropped, one by one, to create a dot pattern in which their mechanical alignment struggles against the analog fluctuations resulting from the manual process. This exhibition will also present a painting entitled ‘Drawing’ and other new experiments.
Display Design Incorporating Space, Light and Movement
A large number of works, ranging from the small to the large, will be displayed in a dynamic manner in the Exhibition Gallery and the entire Atrium space. The displays will allow visitors to walk around individualistic spaces that have been arranged according to category. The display space has very few captions or explanations, leaving the visitors free to walk around as much as they like, considering the mutual relationships and origins of the works. Generally, his exhibitions show each individual category separately, but in this one, the divisions between the categories will present ‘metamorphosing shapes’ etc., allowing the viewer to look at and experience the entire world created by the works that fill the gallery.
Diverse Collaborations - Books of Work
After the exhibition has opened, it is planned to publish a catalogue consisting of beautiful visuals, photographic records, text by the artist, discussions, documents and data, which will become the standard text on Kohei NAWA’s early period.
This exhibition will round up with a display of various collaboration works that NAWA has produced (music, fashion, public art, product design, etc.), including commercial projects. It will incorporate experimental display techniques produced in cooperation with research institutions to support this exhibition. We hope that you will take this opportunity to experience the equivocal development of world he creates through his work, together with the various events that will take place during the exhibition. (For further details please refer to the museum’s website.)
